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With that in mind I had Charles Arlington record, as only he could, a theme line: Sixty Three. His wry, understated wit, carefully studied word choice, and RELAXED delivery won him a following unheard of since the days of Murray-go-round on KDWB and Throckmorton at WLOL. For his Masters Thesis on the history of WDGY, Jerry Verne Haines interviewed WDGY announcer Leonard D. Bart on June 15, 1970. Johnson mostly played what was termed easy-listening jazz: Isaac Hayes, Shirley Bassey, George Benson, Herbie Mann, Herbie Hancock, etc. The problem was that by the time he got to a place that had soul food, it was all gone. WDGY's old Bloomington studio/transmitter site sign. Donuts Douglas (news man) Later on, the following talent also became a part of the station: Jerry St. James, Mesa Kincaid, Patrick M. Cookin' McKay, Chucker Morgan, and Jo Jo Gunne. He left in July 1957 to become Vice President of ABC in New York and was replaced by Jack Thayer. On June 6, 1965, Jones dedicated a long, three-column article to the concept of Soul Food, saying that while Billy G made it sound good, it was hard to come by. Doubleday Broadcasting, owner of KDWB, wasnt actively seeking an FM station at the time but offered to buy 101.3 FM in February 1976 after they were offered a rather generous deal for $750,000 that included WYOO-FM and the building in Eagan that housed both stations. Ten people were arrested, most for carrying firearms. The text is rather small; it reads: Today WWTC Radio trades violins for violence. King, right? Our service costs about the same if you brought in that supertalented program director. Plus you eliminate the stuck records, scratchy music, the jarring jock. Who had the key? Meanwhile, the old KUXL crew was plodding on. He was not an on-air personality, although Secret Stash tells us that he once did a commercial in his normal voice and it was taped by a friend of Preacher Pauls who was learning how to run the board. A December 1, 1955, ad says Now All Day and announces DJs Texas Bill Strength and Johnny T from Tennessee, and Slim Jim. The Twin City a Go Go January 1966 issue mentioned this station and its DJs: Dean Alexander, Dave Charles, Will Grassman, Myrna Jean, Oliver Towne (nee Gareth Hebert), Don Riley, Bob Leonard, and Charles Conrad. UP radio sparkles in Rod Trangards newscastsin exclusive Mutual news remotes . Ed replaced Machine Gun Kelly when he split for KHJ. Alan Freed, an employee to June 1989, says July 1989. KUXL hosted the Impressions at the Marigold Ballroom on January 22, 1967. A police command post was set up at the St. Paul Cathedral, and two-man tear gas units were sent around, with police at every intersection. At that time, the Twin Cities had only about nine stations, all AM, of course, with WCCO being the powerhouse. One early promotion involved a sticker that said KDWB is Everywhere. $630 would be awarded to the person who placed the sticker in the most unusual place, which turned out to be on the St. Paul Cathedral dome! The Colonel loved the whole idea and agreed to do it. The station kept the name WDGY until 1991. The most interesting thing about working there at the time was feeling the surge of relevance the station had regained on since taking on the Country format. WDGY (740 kHz) is a commercial AM radio station licensed to Hudson, Wisconsin, and serving the Minneapolis-St. Paul radio market. In a 1972 article the Insider noted the leaky roof and yellowed wallpaper at the aging studio in St. Louis Park. Right on Super U became a catch phrase on the station and among its fans. It is licensed to Hudson, Wisconsin, three miles east of its studios in Lakeland, Minnesota. It was started through his Minneapolis Brokers Association, which bought the two-hour Sunday time slot from KUXL after Adams and his associates sold enough advertising. Bob Short bought the station from Buckley Broadcasting in early (in or before March) 1978. Jim Foster was the Program Director. After a years absence, Sam Sabean was hired back as a DJ and Station Manager, but he had to have a different name, so Sherwood was arbitrarily chosen. In September 1979 the station became known as Musicradio I-95, playing Album Oriented Rock/New Wave. The station was innovative in its promotions, had legendary DJs, features like Solid Gold Weekends, and at least two airings of The History of Rock n Roll, an all-encompassing rockumentary.. By that time Elvis had hit it big with Heartbreak Hotel and Hound Dog a cover of a black record followed. And he noted that it was difficult to even find R&B records in town. (The name change from WISK was reflected in the radio listings in the newspaper on September 19.) I do enjoy it! WTCN Radios history goes back to September 1934, and even further back if you count its predecessors, but Ill just start with the 1950s. In 1962 WDGY broadcast the Vikings games. For awhile they called the AM station KEVE and the FM station KADM Adam and Eve in the Valley. The two stations were simulcasting classical music when they both went to KQRS. The company engineers actually had to install coils to de-tune the water tower before the license could be approved for 50kw operation. Cars were prevented from coming into the area from Interstate 94 at the Dale Street exit. Youll LOVE IT!!!!! Three informative features were broadcast every hour each day to draw attention to commercial messages. It has been my opinion that a big lightning storm in July 1989 was an excuse for the station to shut down operation. Al, Nick, and Vic Tedesco, photo courtesy Pavek Museum of Broadcasting. It was perhaps the only American commercial radio station the Russians had to jam to prevent their people from hearing all that decadent American Rock & Roll! . Im sorry the ad below is so hard to read. In 1962 WDGY broadcast the Vikings games. He was in town doing two shows at the Flame Nightclub at 16th and Nicollet in downtown Minneapolis. In the first few months of operation, I would guess that WDGY probably lost as much money per month as any station in the history of radio. More great stuff is on http://twincitiesradioairchecks.com/wdgy1130tapes.html. This heat siphoned off through ductwork that eventually combined with ductwork from the furnace and heating system. in 1330s exciting sportscasts and weather reports. I was able to get this shot during a visit to see Jimmy Reed. King, and the Spaniels are perhaps the best known. But that was overnights (considered a throwaway daypart by management) on a 50,000 watt station that reached from Canada to Cuba. The stations were reminded that they had a non-cancelable contract. Countryside magazine, March 1976. David Hersk remembers that Edwards had a late night show where he called himself Uncle Merle and played plenty of rock n roll in 1954-55. Unfortunately, there is a short period of time with lower quality sound, which is corrected quickly. KS95 was beginning to take hold. A moment later we were both rolling on the floor, rocking with laughter. ARSA: ABOUT: SURVEYS: STATIONS: 1970-02-13 WDGY 1130 AM ( Minneapolis / St. Paul, Minnesota ) TW LW ARTIST TITLE WKS NOTES; 1: 4 : Sly & The Family Stone: Thank You (Falettinme Be Mice Elf Agin) 1: 4 : Sly & The Family Stone: Everybody Is A Star: 2: 1 : "WDGY Means the Most Music and the Most Money." The owners brought in Robert Purcell to inject life in the station, and a friend who booked Country & Western touring shows told him that the area was one of the top in the country. The crowd moved west down 4th Street, smashing store windows, until they got to the Selby-Dale neighborhood, where many of the Citys 10,000 black people lived in what could only be described as a ghetto. Hagman had previously worked for WLOL, whose owner, Ralph Atlass, had adopted the Top Forty format during Hagmans time there from 1947 to 1952. The building itself was very dark. On April 13, 1968, Billboard reported that Ray Moss had gone to California for a job with XERB, but returned quickly and with a new name: Daddy Soul. The Insider reported that Moss became the new music director in April 1968, and was on-air from 3 to 7, Monday through Friday. Ive been ignoring this station because I couldnt believe that Bill and Becky Ann would ever broadcast anything resembling rock n roll, but listen to this, from an article of the TV section of the Minneapolis Tribune, September 7, 1969: Anybody who has heard WPBC in recent years might have found it ludicrous to have listed to founder-owner Bill Steward the other morning as he remembered the tough radio days of 1954 and 1955. The general manager (Mike Sigelman) and program director (Rob Sherwood) (1974), both hired from established Top 40 station KDWB, felt a major change needed to be made. What became of the building? Visit http://www.radiotapes.com for historic airchecks of Minneapolis/St. By 1977, FM radio had arrived big-time in MSP. A 1972 article in the Echo opined that KDWB played new songs that were just released, while WDGY only played nationally-established music. Other Facebook stories of the strength of the transmission: In 1952 the station was sold to a group of four local businessmen, one of which was Clarence T. Hagman. Its first owners were John Devaney (Minnesota Supreme Court Justice?) The WLOL Big 5 hosted the Royal Crown Cola Teen Roller Party at the Pastime Arena in St. Louis Park, Sundays from 2-5 pm, according to October and November 1957 music surveys. One even has a snippet of Loni Anderson! See the new transmitter here courtesy www.radiotapes.com, Aerial shot of the 9-tower array courtesy Tom Gavaras. June 18, WWTC radio replaces every bit of music with news. Unfortunately, I have started to notice some of these posted airchecks from my personal collection are now being sold on eBay, when they are available at this site free. In 1980 KDAN was airing the syndicated Wolfman Jack Show. Theairchecks on this not for profit web site were recorded off the air. It does appear that Kamman was still on the air at 3pm during the month of January 1965. On June 18, 1975, 1280 switched to NBCs News and Information Service (NIS). After a couple of changes the call letters became WDGY (Dr. George Young) in 1926. Middle row: Steve Hatley, Cosmic Cowboy a/k/a Terry Roberts, Chuck Knapp & Charlie Bush. At the time you want it. The St. Paul Urban League and the St. Paul Human Rights Department also launched their own investigations. In the meantime, it was Zingale who arranged for Augie Garcia to open for Elvis when the King came to town in May 1956. In April 1957 the studio was in the Builders Exchange Building in downtown Minneapolis, and the transmitter was described as WDGY Transmitter Plant, Oxboro, Minn. The team could not play high school and college teams, but would go out to small towns for exhibition games. Stronger, clearer than ever before. Radiotapes.com has airchecks from 1957 of Steve Cannon and Leigh Kamman doing what was billed as the Twin Cities first and only Double Disk Jockey Show. This first tape was recorded of the radio on June 4, 1973 from 10 AM to 11:30 AM with the music and commercials out. Photo by Steve Raymer. An envelope dated October 1, 1956, is addressed to 10350 Fremont Ave. Im guessing that KAAYs Beaker Street was influential here. On his first day found in the newspaper, he was on in front of the Polish Hour and the Methodist Church, both 90 minute shifts in the morning. But the advent of WDGY was the quantifiable arrival of the genre that influenced lifestyles, attitudes, fashion, language, and of course, radio formats for generations to come. A note in the Minneapolis Tribune dated December 10, 1965, said that The discotheque scene at St. Pauls Ebony Lounge which disappeared a couple of weeks ago, is back in action, with much the same cast, at Big Als in Minneapolis. in February 1968. Mid 60's photo of WDGY's Johnny Dollar on the back of a Honda being driven by a constest winner. In fact, I was just doing news in the mornings, when Scott was doing his morning show, and then one day, I secretly called his special phone line to record my imitation of Truman Capote, with a comment for Scott. Miller estimated that there were an estimated 70 radio stations in the U.S. that programmed entirely for blacks, but felt that there werent more than a half-dozen of them that were sincere and tried to program up rather than shoot down. Announcers on white stations used their own names, while black DJs were given the name of a clown, a name in keeping with the false and grotesque stereotype of the idiotic smiling Negro. The call letters were changed back to WMIN later that year. The station had a country format at the time and was owned by Benita Soho of Los Angeles, doing business as Newport Broadcasting. The Strib is online now! Its Ipanema, not Impanema. Fan Feed More The OFFICIAL Fictional Radio Stations Wiki. You will hear Jimmy promote the "All Americans,"you will hear one of the first Gatorade commercials and you will hear the WDGY promo for the WDGY Power Poll where one could win a Craig color TV (I thought this was radio?). The transmitter location was .3 miles north from the intersection of Sixth Ave. North and Highway 100 in Golden Valley, and the transmitter would be remotely controlled from the studio. or use search to go right to what you are looking for: watts) you could hardly pick up the station 5 miles to the south of the site, but the signal had an effective radiated power of 300,000 watts to the north and went right over the North Pole into the Soviet Union. In June 1959 the Tedescos sold the station to Crowell-Collier, owner of the legendary KFWB in Los Angeles. It was KFMX from 1974 to 1979. Station manager Jim Peterson said the change, effective January 1, 1973, will involve afternoon programming only, with religious programs to stay on the stations schedule until 1 pm daily. See Pavek Museum RadioHall of Fame inductee Dale Weber, one time WDGY General Manager,at the Pavek site: http://www.pavekmuseum.org/weber.htm (The 9/30/71 Dayton aircheckisfrom the A. Mintz Collection - The March 1973 tape was recorded off the air by Rick Burnett). But we also know that the Key Room program featured live performances by Augie Garcia, the Godfather of Twin Cities Rock n Roll, performing jump blues in 1954-55 from the River Road Club in Mendota. We may drop it from the top of Foshay, said Sherwood, Chuckling at the prospect of the worlds biggest pile of crumbs. 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For his Masters Thesis on the back of a Honda being driven by a constest winner 1978.

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